{"id":2039,"date":"2023-05-17T09:40:07","date_gmt":"2023-05-17T08:40:07","guid":{"rendered":"https:\/\/celineranger.com\/?page_id=2039"},"modified":"2024-02-14T14:48:33","modified_gmt":"2024-02-14T13:48:33","slug":"demarche","status":"publish","type":"page","link":"https:\/\/celineranger.com\/?page_id=2039","title":{"rendered":"D\u00e9marche"},"content":{"rendered":"
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C\u00e9line Ranger\u00a0fouille, creuse, telle une arch\u00e9ologue, interroge, inlassablement au travers de\u00a0portraits, les infinies facettes de\u00a0l’\u00e2me f\u00e9minine.
Elle r\u00e9v\u00e8le l\u2019ineffable, l indicible, d\u00e9ambule sur le fil de l\u00a0intime, joue de ses\u00a0ramifications, ses\u00a0profondeurs,\u00a0ses paradoxes\u2026
Sa\u00a0peinture\u00a0r\u00e9v\u00e8le une facture \u00ab\u00a0ma\u00eetris\u00e9e\u00a0\u00bb\u00a0: alliant\u00a0acrylique,\u00a0finesse de\u00a0glacis vaporeux \u00e0 des\u00a0techniques mixtes\u2026 . Au del\u00e0, du masque \u00ab\u00a0esth\u00e9tique\u00a0\u00bb, elle effleure du bout des doigts
le noyau\u2026 tapi :\u00a0le sacr\u00e9 \u2026Elle\u00a0expose r\u00e9guli\u00e8rement\u00a0au sein de\u00a0galeries fran\u00e7aises\u00a0et\u00a0\u00e9trang\u00e8res.<\/p>

D\u2019elles \u00e0 nous\u2026<\/strong><\/p>

\u00ab Les fi\u00e8res vestales de C\u00e9line Ranger ont perdu leur regard d\u2019acier, quitt\u00e9 peu \u00e0 peu leur armure de froideur distante pour entrer dans les promesses de l\u2019aube. S\u2019il leur arrive encore parfois de baisser les paupi\u00e8res<\/em>
\u2013 comme effarouch\u00e9es par leur soudaine m\u00e9tamorphose \u2013 elles nous font le plus souvent face aujourd\u2019hui sans g\u00eane ni artifice.Les voici donc moins solennelles, moins arch\u00e9typales, mais plus fr\u00e9quentables et d\u2019autant plus \u00e9mouvantes
car rendues \u00e0 leur essence premi\u00e8re.Et nous voil\u00e0, nous, ind\u00e9fectibles amoureux du vrai en art, ravis que par la magie de cette \u00e9l\u00e9gante, puissante et vibrante peinture, le sensible en remontre une fois encore au mental d\u00e9connect\u00e9 des forces vives<\/em>
qui sont les marques br\u00fblantes de notre humanit\u00e9.<\/em>
Est-ce \u00e0 dire que nous sommes en pr\u00e9sence d\u2019une figuration ordinaire ?Assur\u00e9ment non, car C\u00e9line Ranger s\u00e8me et r\u00e9colte entre les pages du vivant. Il n\u2019est par rare, d\u2019ailleurs, que soient convi\u00e9s \u00e0 prendre place dans ses compositions r\u00e9centes enfants
et animaux qui se font l\u2019\u00e9cho de ses tendresses secr\u00e8tes. Quand bien m\u00eame elle continue d\u2019\u00e9voquer un certain classicisme,son \u0153uvre n\u2019a rien  d\u2019acad\u00e9mique ; sa pratique, nourrie, certes, de r\u00e9f\u00e9rences aux grands ma\u00eetres des 18\u00e8me et 19\u00e8me si\u00e8cles,<\/em>
a su int\u00e9grer, dans une sublime fusion, l\u2019enseignement de ces derniers et les techniques ou la gestuelle spontan\u00e9e de notre temps.Comme toujours, c\u2019est en portraitiste chevronn\u00e9e, mais non conventionnelle, <\/em>
que l\u2019artiste se positionne, tout enti\u00e8re attach\u00e9e<\/em>, \u00e0 livrer l\u2019int\u00e9riorit\u00e9 des \u00eatres plut\u00f4t que leur plastique identitaire. Les visages, les corps qu\u2019elle nous offre sont comme le parchemin<\/em> ind\u00e9finiment d\u00e9roul\u00e9 de leurs facettes et de leurs \u00e9nigmes. <\/em>
A l\u2019\u00e9vidence,voil\u00e0 une \u0153uvre qui repose davantage sur une qu\u00eate que<\/em> sur une affirmation, sur une interrogation fondamentale plut\u00f4t que sur une revendication militante. Ces profanes ic\u00f4nes se pr\u00e9sentent<\/em>
un peu comme des doubles auxquels nous confrontons notre part de f\u00e9minit\u00e9, que nous soyons femmes ou hommes, d\u2019ailleurs\u2026 <\/em><\/p>

Et c\u2019est, en d\u00e9finitive, la qualit\u00e9 de notre regard qui est questionn\u00e9e : qui<\/em><\/em> suis-je, face \u00e0 ces figures un peu hors du temps, mi classiques mi modernes, face \u00e0 ses yeux qui me happent pour une plong\u00e9e vers l\u2019intime?<\/em>
Il reste \u00e0 parier que la femme, cach\u00e9e derri\u00e8re l\u2019artiste, a choisi de s\u2019adresser au monde et \u00e0 l\u2019alt\u00e9rit\u00e9 de chaque visiteur par le biais de cette \u00e9criture mouvante-\u00e9mouvante, toute charg\u00e9e de pudeur et de conviction, pour en faire son chant, sa d\u00e9claration d\u2019amour
en m\u00eame temps que l\u2019aveu de sa probable blessure. Et, n\u2019en d\u00e9plaise aux faiseurs de tendance et aux performeurs de l\u2019\u00e9ph\u00e9m\u00e8re, nous ce serons jamais rassasi\u00e9s de cette harmonie hautement sensible ; nous courtiserons \u00e9ternellement au contraire la cr\u00e9ation
de ces artistes, comme C\u00e9line Ranger, qui posant leur pas dans l\u2019intemporel, nous avouent ainsi se ravitailler \u00e0 la source sacr\u00e9e, \u00e0 l\u2019Ineffable\u2026
se pourrait il qu\u2019en ces temps de grande incertitude, et par leur entremise, la beaut\u00e9 ait commenc\u00e9 de sauver le monde? \u00bb\u2026
Guy Bugeau<\/strong>, peintre<\/p>

_______________________________________________<\/p>

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C\u00e9line Ranger\u00a0fouille, creuse, telle une arch\u00e9ologue, interroge, inlassablement au travers de\u00a0portraits, les infinies facettes de\u00a0l’\u00e2me f\u00e9minine.Elle r\u00e9v\u00e8le l\u2019ineffable, l indicible, d\u00e9ambule sur le fil de l\u00a0intime, joue de ses\u00a0ramifications, ses\u00a0profondeurs,\u00a0ses paradoxes\u2026Sa\u00a0peinture\u00a0r\u00e9v\u00e8le une facture \u00ab\u00a0ma\u00eetris\u00e9e\u00a0\u00bb\u00a0: alliant\u00a0acrylique,\u00a0finesse de\u00a0glacis vaporeux \u00e0 des\u00a0techniques mixtes\u2026 . Au del\u00e0, du masque \u00ab\u00a0esth\u00e9tique\u00a0\u00bb, elle effleure du bout des doigts le noyau\u2026 tapi […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":"[]"},"class_list":["post-2039","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/celineranger.com\/index.php?rest_route=\/wp\/v2\/pages\/2039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celineranger.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/celineranger.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/celineranger.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/celineranger.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2039"}],"version-history":[{"count":20,"href":"https:\/\/celineranger.com\/index.php?rest_route=\/wp\/v2\/pages\/2039\/revisions"}],"predecessor-version":[{"id":2697,"href":"https:\/\/celineranger.com\/index.php?rest_route=\/wp\/v2\/pages\/2039\/revisions\/2697"}],"wp:attachment":[{"href":"https:\/\/celineranger.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}